Class expectations  

Private Lessons

 

As an instructor, I look for active participation and engagement from my students. I expect them to be prepared in the most basic sense by bringing all materials and or instruments to class, and to be ready to begin with a short time after the period begins.  It is my practice to give all my students at brief "warm up" time at the beginning in order to get muscles and brain in music mode.

I look for evidence of careful thoughtful practice of the week's assignment. Without a doubt, each student's assignment is an individual matter.  Even though two students may be working on the same piece, it is often the case, that students will be working on different goals using the same material.  I expect students to email, call, stop by if they have questions, or just want to get a midpoint view on how their piece is coming.  I welcome the extra questions, the conversations, the wonderful and astute observations of all my students. 

In terms of practice time, approximately three hours a week is expected. I often emphasize to students that they can break that up into whatever time segments work for them. The point is to have an efficient, individualized practice plan in place each time they practice. Time is valuable here at Culver to students and teachers alike. It is important to figure out how to reach the goal in a way that is both enjoyable and workable.

Piano Rubric

Student Name:

 

 

 

Skill Level:

 

Beginner, Advanced Beginner, Early Intermediate, Intermediate, Late Intermediate, Advanced

1 = Outstanding in nearly every detail

2 = Some minor flaws

3 = Some major flaws

4 = Frequent major flaws

5 = Unacceptable in nearly every detail

Category

Score

Comments

Technique

Articulation, skill of various touches, i.e. legato, staccato, fingering, (adherence to, ability to create), pedaling

 

 

Phrasing

Adherence to markings, physical involvement/breath/appropriate to period/style

 

 

 

Expressiveness/ Interpretation/Musicianship

Dynamics, Tempo, Style, Balanced melody/accompaniment, sensitivity to moving lines/sustained harmonies, Nuance, ability to peak in a phrase or section, overall expressiveness, “singing touch”

 

 

 

Note Accuracy

 

 

 

Rhythmic Accuracy

  Notes

  Rests  

 Steadiness

  Meter

 

 

Sight Reading

Ability to recognize overall structure of piece through taught theoretical knowledge, ability to recognize patterns of both harmony and fingering, and composition, ability to play through piece, and/or duet at appropriate level/tempo with minimal mistakes

 

 

Accompanying/Ensemble experience

Ability to adapt growing keyboard skills to a variety of accompanying or ensemble experiences, even at the very beginning level, such as playing in a duet, or playing the melody at the same time as singing it, or with another instrumentalist, ability to maintain awareness of physical/mental cues with others involved, while still being accurate with playing.

 

 

 

Improvisation

Using theoretical knowledge gained within the lesson, show an ability to improvise in a very basic manner on harmonic and melodic lines

 

 

Practice Ethics

Evidence of preparation

Efficiency of preparation

Amount of time dedicated

Accomplishment

 

 

Total Points

 

 

Grade

 

Grading Scale 

9 – 11 points:                    A

12 – 13 points:                   A-

14 – 15 points:                   B+

16 – 20 points:                   B

21 – 22 points:                   B-

23 – 25 points:                   C+

26 – 27 points:                   C

30 – 31 points:                   C-

32 – 33 points:                   D+

34 – 42 points:                   D

43 – 44 points:                   D-

45 or more:                        F

 

Flute Rubric

Student Name:

 

Skill Level:

 

Beginner, Advanced Beginner, Early Intermediate, Intermediate, Late Intermediate, Advanced

1 = Outstanding in nearly every detail

2 = Some minor flaws

3 = Some major flaws

4 = Frequent major flaws

5 = Unacceptable in nearly every detail

Category

Score

Comments

Intonation

  Individual

  With accompanist/ensemble

 

 

Tone Quality

  Resonance

  Control

  Clarity

 

 

 

Articulation

  Breath control

  Attacks

  Releases

  Style

 

 

Note Accuracy

  Technique

  Fluency

  Mechanical Skill

 

 

Rhythmic Accuracy

  Notes

  Rests

  Steadiness

  Meter

 

 

Interpretation/ Musicianship

  Balance

  Blend

  Emotional Involvement

  Phrasing

  Tempo

  Expression

  Appropriate tone color, ability

  Climax, nuance within phrase

 

 

Dynamics

  Range

  Individual

  Section

 

 

Expansion of Skills

Ability to sight read, improvise, play in an ensemble, making use of basic theoretical knowledge gained in lessons

 

 

Practice Ethics

Evidence of preparation

Efficiency of preparation

Time dedicated

Accomplishment

 

 

 

 

Total Points

 

 

Grade

 

Grading Scale 

9 – 11 points:                    A

12 – 13 points:                   A-

14 – 15 points:                   B+

16 – 20 points:                   B

21 – 22 points:                   B-

23 – 25 points:                   C+

26 – 27 points:                   C

30 – 31 points:                   C-

32 – 33 points:                   D+

34 – 42 points:                   D

43 – 44 points:                   D-

45 or more:                        F


 

 



 

 

 

 

 

                                                   

 

 

 

 

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This Page was created and is maintained by: Mary S. Weirich Last update: 08/23/04